Bronte poem variant bindings

I'm trying to sort out the variant bindings on the Brontes' Poems by Currer, Ellis and Acton Bell. According to all the info I've been able to find, below is the probable order of the bindings (the images below are from Parrish: Victorian Lady Novelists (Burt Franklin NY, 1933 -repr. 1969). The info is based on this, and note 25, Binding Variants in the Brontes' Poems, pp. 219-221 Book Collector (Autumn 1953)

Image from Parrish

These geometric designs are likely the original bindings used by Aylott and Jones (the company the Brontes paid to publish their book in 1846.) Only 2 or 3 copies sold.

After the success of Jane Eyre published by Smith Elder in 1848, Smith Elder acquired the remainder of the Poems stock from Aylott for reissue. It is possible that any copies with the geometric design as above plus inserted Smith Elder title pages date from this Jane Eyre period.

In the 1850s, after Charlotte's death, her biography by Elizabeth Gaskell appeared and sales of the Poems took off. The next two bindings may date from this period:

Image from Parrish

Interestingly, the one on the right appears to be relatively uncommon and is only known with an Aylott title page. The one on the left is the most common version.

Here at the State Library of NSW in Sydney, we have two copies in the Mitchell collection, as pictured below. It's the light green decorative binding on the right which I'm most interested in.

Mitchell Library copies

What I would like to know is, if you have a copy of Poems, which binding do you have and what do you know about it, if anything - particular which publisher title page appears with which binding??

rare books and special collections in virginia

A deviation from the program - this week I've been in Charlottesville Virginia at Rare Book School. I took a course called 'Introduction to Special Collections Librarianship' which was taught by Alice Schreyer, Director of the Special Collections Research Center at the University of Chicago. Most of the students in the class were librarians or administrators of university special collections, which meant that the course naturally emphasised this area of SC librarianship. We discussed the theory and practice of SC librarianship, with a focus on rare book collections, although we did speak extensively about manuscript and archival collections. Among other things, we covered areas such as access, reservation, digitisation, using SCs in teaching and outreach (including exhibitions), the phenomenon of 'hidden collections', and the recently-drafted document outlining core competencies for SC professionals. It was a really interesting week and a great perspective on how the SC community in the US functions (actually, quite an eye-opener in some ways, especially in terms of funding and the positioning of the SC profession within the general library community). I've made copious notes, of course, but can I read them???